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A day with us

Train with us / A day with us

A day with us

Gate to wrap, in order. Where you pray, when you eat, who is in the room and who walks you back to the station.

2.39:1 · 25fps · HETV

Written for two people

The woman deciding whether to come, and whoever at home is deciding whether it is reasonable.

Our base is one ground-floor room in the Annexe Building at 3 Mills Studios, London E3 3DU, inside a gated, pass-controlled lot a short walk from Bromley-by-Bow station. Below is a stage day on the Studio Simulation; a technical or edit day is quieter and the same arrangements hold.

A woman in a hijab leans in over a built camera on a stand in a large studio space, a practitioner kneeling at the eyepiece side, a unit van and crew working behind them.
Prep on the stage floor.

The day, in order

The gate, then breakfast

On the first morning someone waits at the Three Mill Lane gate, so nobody walks onto a studio lot alone. A pass, then fire points, toilets and the prayer space.

The call sheet, then the floor

The day, printed: your name, your grade, the running order, prayer and break times, and a named person to find if anything is wrong.

Prayer, then lunch

Prayer at the time it falls, not the time that suits the schedule. A private space is held all day: a marked qibla, mats, somewhere to make wudu, a door that shuts. Then a hot meal, halal and kosher sourced separately.

The afternoon

Rigging, shooting, recording, offloading, then your department runs the procedure again at speed. You can step out at any point without explaining why.

Wrap, strike and home

Kit down, cards offloaded, a debrief. You leave together and are walked to the gate, and to the station if it is dark.

A woman with blonde hair tied up fills in a clapperboard with a marker while a crew member behind her sets a small camera on a stand in a bright room.
Filling in the slate.

Who is in the room, and what you wear

Every participant is a woman and the Screen Sisters lead is a woman. Practitioners are mostly women and sometimes men, because that is who works in those departments. No man is ever alone with a participant, and costume, hair and make-up are women-only. Wear what you wear, and bring flat, closed-toe shoes. Loose fabric near a moving camera is a hazard, so we tuck, pin or tie it before you are on the floor.